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Violin Appraisal Information

 

     Lashof Violins performs Appraisals of instruments for Insurance or Market Value purposes.

    With an Insurance Appraisal, previous repairs have less to do with the instrument's replacement value. If a violin has a repaired crack or a non-original scroll and you lose the violin, you are probably not going to go shopping for another violin with the same repaired crack and replaced scroll. 

    Unlike the Insurance Appraisal, the Fair Market Value Appraisal takes in all of the factors that affect price, especially condition. With this in mind, a violin with an Insurance Appraisal could be valued $2000.00 but have a Fair Market Value of very little. A person will typically ask for a Market Value appraisal if he or she is selling or looking to buy the instrument from someone.  What you pay for an instrument may have little to do with the Insurance Appraisal Value.

   In general, the newer the instrument, the better the condition it is in and the "cleaner" the provenance, the closer the Insurance and Market Value will agree with each other. 

   When you purchase an instrument at Lashof Violins, the price is based on the Fair Market Value, not the Insurance Value. In addition, when you purchase an instrument from Lashof Violins an Insurance appraisal is available for that instrument at no charge at the time of purchase.

   Appraisals done at Lashof Violins clearly state which version of appraisal you are getting. Our Appraisals are prepared using guidelines from the Appraisers Association of America. 

Please note: Due to the numerous factors involved in determining an instrument's value, Lashof Violins only offers appraisals (written and verbal) for instruments physically in the store. Photographs of an instrument or a description of the label do not provide enough information about the instrument for us to accurately determine a value, nor are they enough to say where the instrument was made or who may have made it.  If you wish to have an evaluation of an instrument, we recommend bringing the instrument into Lashof Violins (or a reputable violin store near you) for identification.

For more information, here is a link to a Strings Magazine article discussing what experts look at when determining the value of an instrument: What's it Worth? Experts Look Beyond the Label

 

A Little Bit about Instrument Labels 

There has been much written about violin fraud and fictitious labels being placed inside instruments. The label that appears inside an instrument may have little to do with its actual origins. It only takes moments to place a label in violin from the outside. If fact, there are many books (written to aid in the identification process) with actual reproductions of labels inside that many unscrupulous violin dealers have copied and inserted inside instruments. The true appraiser will only look at the label after they have determined the most likely origins of the instrument. 

Is Your Grandpa's Violin Authentic?

The Cremonese masters who created our modern violin design are the most imitated makers. For example, during the 19th century, hundreds of thousands of instruments were made in the design of these great makers (the Amatis, Stradivarius, Guarnerius, Maggini, etc.). The 19th century makers would insert labels into the instruments as a way to distinguish the different models of they were distributing. The customers who purchased the instruments during that time knew the instrument they were purchasing was not an original, but was modeled after a great maker and was, therefore, labeled with his name.

Today, as more people are beginning to unearth these instruments after being passed down through generations, the original understanding of the instrument's origin is often lost and many people, after reading the inside label, are misled into thinking they have an authentic Amati or Strad.

A Little More About Labels

In 1891 the McKinley Tariff Act required that items that were imported in to the United States be marked with the country of origin. In 1914 this act was again revised to require the words "Made in"  also be used. Once again in 1921 the act was revised to require that the country of origin name be in English. So a violin that is labeled "Bavaria" would most likely have been made between 1891 and 1914. "Made in Italia" might be before 1921. 

A violin labeled "Made in Japan" was probably made after 1921. Prior to 1921, instruments most likely have been labeled "Made in Nippon."  After WWII, during the US occupation of Japan, items made for export were marked "Made in Occupied Japan" or perhaps "Occupied Japan."

Violins labeled "Made in Germany" are most likely manufactured between 1921 and WWII. After the split of Germany until its reunification in the 1990's,  labels were marked "Made in West Germany" or "Made in East Germany."

So, if your "attic" violin says that it is an Antonio Stradivari 1707, but it also says "Made in Germany," the violin is NOT an authentic Stradivari, but a factory-made copy. In this instance, you don't need an appraiser to tell you your instrument is not authentic, but you still may wish to seek out a professional opinion to find out the actual value of the instrument. 

     

 

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